If you’re looking for a film to watch with a nonchristian friend this Easter you don’t have turn to an adaptation of Gospels to catch a glimpse of Jesus.  Christ figures are literally everywhere on the silver screen.

Unlike the figure of Jesus portrayed in a gospel film, a Christ figure is any character who parallels the life, death or resurrection of Jesus.  Depending on the similarities, the reference may be painfully obscure or glowingly transparent.

John Coffey, for instance, in the Green Mile is most certainly a Christ figure. Did you catch that his initials are J.C!  And if that doesn’t convince you, he also heals, raises the dead and is executed by the state for a crime he didn’t commit.

But Christ figures also play central roles in films like

  • Les Miserables
  • Shane
  • Superman
  • Cool Hand Luke
  • One Flew Over the Cuckoo’s Nest
  • Aliens 3
  • V for Vendetta
  • Sling Blade
  • Gladiator.

And that’s just a few.

My goal here though isn’t just to point you to films that make an implicit reference to Jesus.  For that we would need a little more time.  Instead I want to narrow the focus to films that also allude to His resurrection.

Here’s a list of ten, plus an extra thrown in for good measure.

  1. The Day the Earth Stood Still (1951)
  2. E. T. (1982)
  3. The Shawshank Redemption (1994)
  4. Braveheart (1995)
  5. The Truman Show (1998)
  6. The Iron Giant (1999)
  7. The Matrix (1999)
  8. Lord of the Rings: The Two Towers (2003)
  9. The Lion, the Witch and the Wardrobe (2005)
  10. Thor (2011)
  11. Harry Potter and the Deathly Hallows: Part 2 (2011) 

What do you think?  Which of these films most suprised you?  Are there films you believe have been missed? 

And by the way half of these films found their way into a short video I put together called the Longing of Man.  Check it out!  I think you’ll enjoy it.

 

Sometimes a beginning foreshadows the story.

Denzel in the rain

The hair-raising opening to the 2012 movie Flight, for instance, encapsulates the rest of the film.

When a sudden malfunction sends his plane into a nosedive, Captain Whip Whitfield though heavily intoxicated and high on cocaine manages to crash-land in an open field.

Beginning: The initial malfunction or what the film later refers to as an “act of God” represents the crash of the plane which will send Whip’s personal life in like manner spiraling out of control.

Middle: His impaired efforts to recover the plane stands for his subsequent attempts to hide his alcohol and drug use from authorities while  personally losing himself to his addictions.

End:  And finally the plane crash with minimal loss of life foreshadows the joy and the tragedy in the film’s ultimate conclusion.  (I’m not going to spoil it for you.)

The Bible

Such beginnings were not unknown or unused by Biblical writers.

Luke, for instance in his nativity (Luke 1), juxtaposes the accounts of Zachariah and Mary to stress the important contrast that will unfold throughout his story.

Like Zachariah, rich, powerful, male, Jews by and large reject God’s message while the poor, the powerless, women, and Gentiles, represented in Mary, receive it.  As a result the voices of the powerful are taken from them while the dispossessed begin to sing.

But the whole Bible, though made up of various authors, is likewise is fittingly foreshadowed in its opening scenes.

In the Beginning God creates Man (male and female), gives them a law and a land but Man disobeys the law and is ejected from the land.

Sound familiar?  It should.  It’s the story of Israel.

Genesis 1-3 is not just a history lesson about origins.  It’s a summary which directs our attention to the Bibles main theme.

Today when we read Genesis 1 it seems incredible.  How could the earth have a morning and an evening before there was a sun?  Why would God jump from the fish to the birds without first creating animals on land?  And perhaps the biggest question, why would God who has the power to create the earth instantly take six days and then a holiday?

Such questions become less of an issue, however, when we see how the details of the account foreshadow the Bible’s larger narrative.

God is building.

What he’s building is a temple.

A temple in which He will indwell His own Idol – Man.

 

When Jesus Gave Birth

March 14, 2013 — 6 Comments

The early church saw in John 19:34, the piercing of Christ’s side and subsequent flow of blood and water, an allusion to Eve’s creation (Genesis 2:21-22).  By the end of the second century we find the Apologist Tertullian saying,

If Adam was a figure of Christ, the sleep of Adam was the death of Christ who was to fall asleep in death; that in the injury of His side might be figured the Church, the true mother of the living.

According to Alban Maguire,

This teaching had been foreshadowed before the time of Tertullian, and after his time we can find no doctrine more honored among the Fathers and Doctors of the Church.

Few scholars today, however, actively engage this interpretation and those that do dismiss it as foreign to John’s intent.  Raymond Brown sees “little evidence that the Genesis story was in John’s mind here.”  Mark Stibbe thinks, “(it) requires ideas which are properly speaking extrinsic to the gospel.”  It’s no wonder Andreas Koestenberg in his comprehensive A Theology of John’s Gospel doesen’t even include it as a “Possible Instance of the New Creation Motif in the Passion Narrative.” 

But far from being an unfounded interpretation such a meaning appears to have been intended by John himself.  It demands renewed consideration. As allusion, John 19:34 is the Fourth Gospel’s keystone, holding this narratives most important themes together.

In the series of posts to follow we will examine the evidence for this implicit reference.

 

Why I Write

March 13, 2013 — Leave a comment

There’s nothing I hate more than writing.  You probably wouldn’t know it if you saw how much time I spend doing it.

But that’s exactly why I hate it.  It doesn’t come natural to me.  AT ALL!   It’s a tedious life-sucking task that requires a great deal from me.

And yet I HAVE to do!

In the dark days of World War II, the U.S. government commissioned a series of documentaries called Why We Fight to fortify soldiers for the task that lay ahead.    It may not be World War II but writing is my fight.  Here are four reasons why I do it.

Basket

I write to teach. 

In the movie Chariots of Fire, Eric Liddell says, “God made me fast and when I run I feel His pleasure.”   Now replace the word “fast” with “teacher and “run” with “teach” you’ll know how I feel about teaching.  There’s NOTHING I feel more delight in doing than communicating God’s word to people.

But teaching requires students and that’s where I have a problem.  I don’t make a living teaching and I only occasionally get the opportunity to speak.  Writing becomes my means to release the overwhelming compulsion building in me.

I write to learn.

Teaching and learning for me go hand in hand. The great Roman philosopher Seneca noted that “while we teach, we learn.”   When I teach through writing I get to wrestle with a subject and in the process I become more intimately aquinted with it.

I write to clarify.

Writing allows for editing.  Some ideas seem great inside my head but they lack clarity when expressed.  I think Winnie-the-Pooh said it best,

When you are a Bear of Very Little Brain, and you Think of Things, you find sometimes that a Thing which seemed very Thingish inside you is quite different when it gets out into the open and has other people looking at it.

Writing offers me the chance to see those confused thoughts and fix them before anyone has the chance to misunderstand.

 I write to remember.

The palest ink is stronger than the best memory” says a Chinese proverb.  Spoken words are easily forgotten but the written word endures.  I’ve said and thought many good things over the years but the ones I’m most likely to remember are the ones I’ve logged here in this blog.

I’ve been talking with my dad about the state of Christianity in America. My dad is a well-known youth evangelist who in his thirty plus years of ministry has lead thousands of people to the Lord.  But in recent years he’s become increasingly concerned about the church’s growing superficiality.

For example, he’s been asking Christians, both young and old, “why did Jesus have to die?”

The typical answer he hears is of course, “To save us from our sins.”

“So why couldn’t God just forgive?” He responds.

“uhhh.”

At this point most are at a loss.  He’s seen it over and over again – even among life-long believers and leaders in the church.

But of course our shallowness is more than just anecdotal.  In 2005, sociologists Christian Smith and Melinda Lundquist Denton in a comprehensive study identified a new belief system among otherwise fervent “Christian” teenagers which they termed Moralistic Therapeutic Deism.

  • Moralistic” because their Christian faith was primarly about living a moral life.
  • Therapeutic” because it’s aim was for them to feel good about themselves and therefore didn’t include things like “repentance from sin, of keeping the Sabbath, of living a servant of a sovereign divine, of steadfastly saying one’s prayers, of faithfully observing high holy days, of building character through suffering…”
  • Deistic” because God is viewed as “one who exists, created the world, and defines our general moral order, but not one who is particularly personally involved in one’s affairs—especially affairs in which one would prefer not to have God involved.”

Some of you might be thinking, “Hey wait a minute!  I’m a Christian.  And that’s what I believe!”

I know.  It does sound a lot like what people call Christianity today.  You’ve heard it said, “It’s not a religion its a relationship.”

Of course I’m not blaming you or your church.  It might just be the “Gospel” most churches appear to teach.

Think about it.  What happens if an American who knows absolutely nothing about Jesus or the Bible is suddenly provided a banquet of nothing but the “Gospel” – What Trevin Wax calls the story for an individual?

  • All have sinned.
  • Sin deserves death.
  • But Jesus died for our sins.
  • Believe in Jesus and your sins will be forgiven.
  • Now be a good person.

That is the Gospel!  And yet it’s NOT the Gospel. It’s the Gospel without an essential context.   It’s a summary for a people who already know the bigger story.

But without a clear presentation of that larger story, the new believer is left to fill in the gaps in that summary with what our culture values the most – Self!

Now shake self and that summary together and Voila!

Moralistic Therapeutic Deism.   Jesus died so we don’t have to feel guilty.

My point is that it just may be our over emphasis on the Gospel as told for the individual which is to blame for the anemic state of the church.  Jesus + nothing does equal everything but in another sense it leads a real state of confusion.  We need to emphasize the Gospel without ignorning this bigger picture.

Here’s how Fred Sanders in His book The Deep Things of God: How the Trinity Changes Everything puts it.

When evangelicalism wanes into an anemic condition, as it sadly has in recent decades, it happens in this way: the point of emphasis are isolated from the main body of Christian truth and handled as if they are the whole story rather than the key points.  Instead of teaching the full counsel of God (incarnation, ministry of healing and teaching, crucifixion, resurrection, ascension, and second coming), anemic evangelicalism simply shouts its one point of emphasis louder and louder (the cross! the cross! the cross!).  But in isolation from the total matrix of Christian truth, the cross doesn’t make the right kind of sense.  A message about nothing but the cross is not emphatic.  It is reductionist.  The rest of the matrix matters: the death of Jesus is salvation partly because of the new life he lived after it, and above all because of the eternal background in which he is the eternal Son of the eternal Father.  You do not need to say all of those things at all times, but you need to have a felt sense of their force behind the things you do say.  When that felt sense is not present, or is not somehow communicated to the next generation, emphatic evangelicalism becomes reductionist evangelicalism.

Emphatic evangelicalism can be transformed into reductionist evangelicalism in less than a generation and then become self-perpetuating.  People who grow up under the influence of reductionist evangelicalism suffer, understandably, from some pretty perplexing disorientation.  They are raised on “Bible, cross, conversion, and heaven” as the whole Christian message, and they sense that there must be more than that.  They catch a glimpse of this “more” in Scripture but aren’t sure where it belongs. They hear it in the hymns, but it is drowned out by the repetition of the familiar.  They find extended discussions of it in older authors, but those very authors also reinforce what they’ve been surrounded by all along:  that the most important things in the Christian message are Bible, cross, conversion, and heaven.  Inside of reductionist evangelicalism, everything you hear is right, but somehow it comes out all wrong.

What do you think?  Is it an over emphasis on the Gospel told for the individual partly to blame for Evangelicalism’s superficiality?  And if so what other things might be essential to a fuller picture of the Gospel?