Archives For March 2013

This is part three in the series “When Jesus Gave Birth.”  You can find the introduction to the series here and the second part here.

How can we deterimne with relative certainity that John wanted us to see in the piercing of Christ side and the flow of blood and water (John 19:34) as an allusion to the creation of Eve (Genesis 2:21-22)?

Richard Hays book Scriptural Echoes in the Letters of Paul offers what has become the standard for evaluating the likelihood of a biblical allusion.  These seven criteria cause us to look outside our own biases to meet a level of objectivity that others can appreciate.

Here the seven criteria applied to our proposed allusion.

    1. Availability: was Genesis and specifically the creation account available to the author of John
    2. Volume: to what degree do “words, syntactical patterns, structure, and number of elements” correspond between Genesis 2:21-22 and John 19:34?
    3. Recurrence:  To what extent is Genesis and more specifically the creation account used elsewhere in John?
    4. Thematic Coherence: Does the proposed reference to Genesis 2:21-22 enhance the themes developed in John?
    5. Historical Plausibility: Is it likely that John intended the reference and that his audience would have recognized it.
    6. History of Interpretation: Have other readers, both critical and pre-critical, recognized it?
    7. Satisfaction: does it make sense?

For this series I’m going to limit our discussion to two: Volume and Thematic Coherence.  The fact that Genesis was available to John is beyond question and will be well established before this series is concluded.

As to why I’m not going to focus on the other criteria, seven may make Hay’s list feel complete but his inventory really boils down to Availability, Volume and Thematic Coherence.  All the rest are really just degrees of these.  For instance, examining recurrence (3), to what extent the creation account is used elsewhere in John, is just another way of demonstrating that Genesis was in the mind of John (1) and  it was essential to his books thematic coherence (4).  Exploring the allusion in the history interpretation (6) is just another way of showing how others saw the same verbal parallels (3) and matching of themes (4).

But John’s generic difference from Paul, the later of which Hays is specifically addressing, also requires us to make a slight extension to the list.  The letters of Paul and the Gospel of John are clearly different in that Paul writes letters and John writes a story.  John, therefore, is not limited in his allusions the way that Paul is limited to precise verbal similarities.  Narrative allows the “evocation of other details – such as plot, characters and setting – by means of circumstantial correspondence.”  Due to the availability and potential use of these other elements, allusions in narrative do not simply arise from the parallel use of exact words.

For instance, Jesus’ act of breathing on the disciples to receive the holy Spirit in John 20:22 is a well attested allusion to Genesis 2:7 – the creation of Adam.  Jesus’ “breathing on” or “into” the disciples is clearly unique.  The fact that Greek word is the exact one found in the LXX translation of Genesis is suggestive.  But the allusion also coheres in that Jesus stands in place of God and the Holy Spirit the breath of life – characterization which are well established in the Gospel of John.

In my next post we’ll look at the verbal and circumstantial correspondence between John 19:34 and Genesis 2:21-22.

This is part 2 in the series “When Jesus Gave Birth.” You can find the introduction here.  

Both the piercing of Christ side and the flow of blood and water (John 19:34) are unique to John’s gospel and it’s clear from the testimony which follows it (19:35) he sees in them great significance.

Three times he swears to these events. (1) “He who has seen has borne witness” (2) “and his witness is true” (3) “and he knows that he is telling the truth…

His summary, “so that you also may believe,” foreshadows the very purpose of his gospel, as summarized in John 20:31. “But these have been written that you may believe that Jesus is the Christ…

So striking is this testimony it has been called, “the most solemn protestation of accuracy to be found in the whole work.” No where does John make a more passionate and personal claim.

The piercing and flow are important to John.  EXCEPTIONALLY IMPORTANT.

But Why?

What significance does the witness perceive?

No shortage of valuable incites have been offered but the following three views are most popular today.

1. Real Human Death.

John says the soldiers pierced Jesus’ side because when they came to hasten his death by breaking his legs they unexpectedly found him already dead.  The piercing is thus the soilders way of answering the question, “Has Jesus truly died?”

But for John the question of Jesus real death was just as important.  It appears John is actively countering a claim made by false teachers that Jesus only appeared to have a body (1 John 4:2, 2 John 7) and/or to have died.  And indeed some studies have shown a natural explanation for the release of blood and water.

As to a further meaning, John cites two scriptural fulfillments of this scene (19:36-37).  The first of which says not a bone of his will be broken and alludes to the Passover lamb (Exodus 12:46; Num. 9:12; Psalm 34:20).  The actual piercing and flow, however, are not specially related to this allusion.  Instead it’s the unfulfilled intention to break Jesus’ legs which is its referent.

2. Release of the Spirit.

Water is an essential core symbol of the Gospel of John.  We find it connected with baptism (1:26, 31, 33, 3:23), purification (2:6), tradition (4, cultic healing (5:7) and cleansing (13:5).  John contrasts these earthly waters of purification with Christ’s offer of “living water” which he explicitly connects with the Holy Spirit (7:37-39).

And the flow in John 19:34 is specifically the fulfillment of Jesus cry in 7:37 that ‘rivers of living water would flow from within.’ There, Jesus alludes to the water from the rock in the Exodus account (Exodus 17:1-7). Here in 19:34 the flow alludes in like manner to the later day fountain for “sin and uncleanness” in Zachariah and Ezekiel flowing from Jerusalem and the temple.  John’s second scriptural citation “they shall look on the one they have pierced” in Zachariah 12:10 fully supports this conclusion.

3. Symbols of the Sacraments.

To a lesser extent, interpreters continue to debate the merits of a sacramental symbolism, particularly the Eucharist/Communion and baptism, in the flow of blood and water.   Water has indeed been associated with baptism in the Gospel of John (John 1:33,35) and blood with consuming Jesus’ body (John 6:53-56).

What confuses those who argue for a sacramental symbolism is the order in which the elements appear.  They neither match the historical occurrence of baptism and death in the life of Jesus or correspond to the spiritual practice in life of a believer.  Most scholars conclude that if John is making a reference to the sacraments it secondary at best and thus not the author’s primary objective.

As great as these interpretations may be they do not exclude the possibility that an allusion to the creation of Eve is also at work.  This allusion, if present, would not replace or even overshadow these well attested meanings.  But like the allusion to the Exodus (17:1-7), which scholars by and large recognize, it brings them into greater focus.

In my next post I’ll offer some criteria by which we can objectively deterimine if John 19:34 is indeed and allusion to the creation of Eve (Genesis 2:21-22).

If you’re looking for a film to watch with a nonchristian friend this Easter you don’t have turn to an adaptation of Gospels to catch a glimpse of Jesus.  Christ figures are literally everywhere on the silver screen.

Unlike the figure of Jesus portrayed in a gospel film, a Christ figure is any character who parallels the life, death or resurrection of Jesus.  Depending on the similarities, the reference may be painfully obscure or glowingly transparent.

John Coffey, for instance, in the Green Mile is most certainly a Christ figure. Did you catch that his initials are J.C!  And if that doesn’t convince you, he also heals, raises the dead and is executed by the state for a crime he didn’t commit.

But Christ figures also play central roles in films like

  • Les Miserables
  • Shane
  • Superman
  • Cool Hand Luke
  • One Flew Over the Cuckoo’s Nest
  • Aliens 3
  • V for Vendetta
  • Sling Blade
  • Gladiator.

And that’s just a few.

My goal here though isn’t just to point you to films that make an implicit reference to Jesus.  For that we would need a little more time.  Instead I want to narrow the focus to films that also allude to His resurrection.

Here’s a list of ten, plus an extra thrown in for good measure.

  1. The Day the Earth Stood Still (1951)
  2. E. T. (1982)
  3. The Shawshank Redemption (1994)
  4. Braveheart (1995)
  5. The Truman Show (1998)
  6. The Iron Giant (1999)
  7. The Matrix (1999)
  8. Lord of the Rings: The Two Towers (2003)
  9. The Lion, the Witch and the Wardrobe (2005)
  10. Thor (2011)
  11. Harry Potter and the Deathly Hallows: Part 2 (2011) 

What do you think?  Which of these films most suprised you?  Are there films you believe have been missed? 

And by the way half of these films found their way into a short video I put together called the Longing of Man.  Check it out!  I think you’ll enjoy it.

 

Sometimes a beginning foreshadows the story.

Denzel in the rain

The hair-raising opening to the 2012 movie Flight, for instance, encapsulates the rest of the film.

When a sudden malfunction sends his plane into a nosedive, Captain Whip Whitfield though heavily intoxicated and high on cocaine manages to crash-land in an open field.

Beginning: The initial malfunction or what the film later refers to as an “act of God” represents the crash of the plane which will send Whip’s personal life in like manner spiraling out of control.

Middle: His impaired efforts to recover the plane stands for his subsequent attempts to hide his alcohol and drug use from authorities while  personally losing himself to his addictions.

End:  And finally the plane crash with minimal loss of life foreshadows the joy and the tragedy in the film’s ultimate conclusion.  (I’m not going to spoil it for you.)

The Bible

Such beginnings were not unknown or unused by Biblical writers.

Luke, for instance in his nativity (Luke 1), juxtaposes the accounts of Zachariah and Mary to stress the important contrast that will unfold throughout his story.

Like Zachariah, rich, powerful, male, Jews by and large reject God’s message while the poor, the powerless, women, and Gentiles, represented in Mary, receive it.  As a result the voices of the powerful are taken from them while the dispossessed begin to sing.

But the whole Bible, though made up of various authors, is likewise is fittingly foreshadowed in its opening scenes.

In the Beginning God creates Man (male and female), gives them a law and a land but Man disobeys the law and is ejected from the land.

Sound familiar?  It should.  It’s the story of Israel.

Genesis 1-3 is not just a history lesson about origins.  It’s a summary which directs our attention to the Bibles main theme.

Today when we read Genesis 1 it seems incredible.  How could the earth have a morning and an evening before there was a sun?  Why would God jump from the fish to the birds without first creating animals on land?  And perhaps the biggest question, why would God who has the power to create the earth instantly take six days and then a holiday?

Such questions become less of an issue, however, when we see how the details of the account foreshadow the Bible’s larger narrative.

God is building.

What he’s building is a temple.

A temple in which He will indwell His own Idol – Man.

 

When Jesus Gave Birth

March 14, 2013 — 6 Comments

The early church saw in John 19:34, the piercing of Christ’s side and subsequent flow of blood and water, an allusion to Eve’s creation (Genesis 2:21-22).  By the end of the second century we find the Apologist Tertullian saying,

If Adam was a figure of Christ, the sleep of Adam was the death of Christ who was to fall asleep in death; that in the injury of His side might be figured the Church, the true mother of the living.

According to Alban Maguire,

This teaching had been foreshadowed before the time of Tertullian, and after his time we can find no doctrine more honored among the Fathers and Doctors of the Church.

Few scholars today, however, actively engage this interpretation and those that do dismiss it as foreign to John’s intent.  Raymond Brown sees “little evidence that the Genesis story was in John’s mind here.”  Mark Stibbe thinks, “(it) requires ideas which are properly speaking extrinsic to the gospel.”  It’s no wonder Andreas Koestenberg in his comprehensive A Theology of John’s Gospel doesen’t even include it as a “Possible Instance of the New Creation Motif in the Passion Narrative.” 

But far from being an unfounded interpretation such a meaning appears to have been intended by John himself.  It demands renewed consideration. As allusion, John 19:34 is the Fourth Gospel’s keystone, holding this narratives most important themes together.

In the series of posts to follow we will examine the evidence for this implicit reference.